The one thing that I've kept re-installing the demo of is the Brainworx N console. Slate is not on my radar because of iLok. Logic's versions tend to have some welcome "modernizations," as well, and I've kind of sworn off Waves anyway. I tried the Waves versions alongside them and didn't feel there was much of a difference in sound, at least not a negative one. I love u-he, and was very tempted by Satin recently, but then I had a sudden swing in opinion on tape emulators because they're basically just EQ curves (sometimes modulating ones) and noise generators, right? It's more about dynamics, EQ, and that sort of thing at the moment. Soundtoys: Excellent, but I'm not really in the market for effects like they specialize in. Ozone 8: After getting the demo, I decided there was something in the fundamental sound of it that I didn't like. I'm in the exact same boat at the moment same needs, generally same type of music.įabfilter: I haven't been thinking about these much due to price. Same with Logic's stock vintage compressors (VCA, FET, Opto) vs SlateDigital or shopping around.Īnything else I'm missing or should be looking at. Does it make sense to stick with those or check out SlateDigital, or maybe look for bargain Waves plugins? I'm a little fuzzier on vintage EQs, since I'm still learning that part. If I have Neutron 2 dynamic EQ, can I basically just put aside the need for Fabfilter Pro MB? Soundtoys 5- (For delay, saturation, tremolo, FX) Ozone 8 Avanced (for mastering, limiter, nifty tonal balance and master assistant features) Neutron 2 Advanced (for dynamic EQ, transient shaper, saturation, nifty masking features) Right now I'm demoing and looking to buy: Mostly using for orchestral, softer scoring, some rock.
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